PhD Reading

Below is a list of the books or journal articles I've read or glanced at so far. You might find something interesting! The Zotero Web API made this possible, and it's a really handy referencing solution too.


Performance as Philosophy: Responding to the Problem of ‘Application’
Cull (2012-03)
Theatre Research International
DOI: 10.1017/S0307883311000733
Searching for the Center of a Sound: Bill Dixon's "Webern", the Unaccompanied Solo, and Compositional Ontology in Post‐Songform Jazz
Dewar (2010)
Jazz Perspectives
DOI: 10.1080/17494061003694162

what is a vibraphone?

Ways of the hand: the organization of improvised conduct
Sudnow (1993)
ISBN: 978-0-262-69161-1
An historical survey of the development of the vibraphone as an alternative accompanying instrument in jazz
Mallows (2004-09-01)
In the break: the aesthetics of the Black radical tradition
Moten (2003)
ISBN: 978-0-8166-4099-7 978-0-8166-4100-0
Inner drumming: drumset exercises for developing body/mind awareness
Marsh (2016)
ISBN: 978-1-883217-89-1
Musical choices during group free improvisation: A qualitative psychological investigation
Wilson and MacDonald (2016-09-01)
Psychology of Music
DOI: 10.1177/0305735615606527
Lionel Hampton's method for vibraharp xylophone and marimba
Hampton and Gornston (1939)
Method of Movement for Marimba
Stevens (1979)
Self-organised music
Blackwell and Young (2004)
Organised Sound
DOI: 10.1017/S1355771804000214
Good vibes: a life in jazz
Gibbs and Ginell (2003)
ISBN: 978-0-8108-4586-2
Extended performance techniques and compositional style in the solo concert vibraphone music of Christopher Deane
Smith (2008-08)
An introductory guide to vibraphone: Four idiomatic practices and a survey of pedagogical material and solo literature
Cheesman (2012)
Early percussion instruments: from the Middle Ages to the Baroque
Blades and Montagu (1977)
ISBN: 978-0-19-323176-4
Elder Paisos of Mount Athos
Hieromonk Isaac (2012)
ISBN: 978-960-89764-3-6

what is a mouth?

Storytelling as a tool of authentication in jazz discourse
Bjerstedt (2016)
Critical Studies in Improvisation/Études critiques en improvisation
Big ears: listening for gender in jazz studies
Tucker and Rustin (2008)
ISBN: 978-0-8223-4320-2
Mimetic Space – Unravelled
Fischman (2008)
Organised Sound
DOI: 10.1017/S1355771808000150
On Vernacular Emblems and Signification in David N. Baker's "The Black Experience"
Maxile Jr. (2014)
American Music
DOI: 10.5406/americanmusic.32.2.0223
Phonetics, phonology and social meaning
Eckert and Labov ()
Journal of Sociolinguistics
DOI: 10.1111/josl.12244
The Soviet Russian Concepts of "Intonazia" and "Musical Imagery"
Brown (1974)
The Musical Quarterly
Out of notes: Signification, interpretation, and the problem of Miles Davis
Walser (1993)
The Musical Quarterly
Ways of saying: ways of meaning: selected papers of Ruqaiya Hasan
Hasan (1996)
ISBN: 978-0-304-33738-5
Music and the sociological gaze: art worlds and cultural production
Martin (2006)
ISBN: 978-0-7190-7217-8 978-0-7190-7216-1
Halliday (1976)
American Anthropologist
Music in Our Ears: The Biological Bases of Musical Timbre Perception
Patil et al. (2012-11-01)
PLoS Computational Biology
DOI: 10.1371/journal.pcbi.1002759
Searching for the Center of a Sound: Bill Dixon's "Webern", the Unaccompanied Solo, and Compositional Ontology in Post‐Songform Jazz
Dewar (2010)
Jazz Perspectives
DOI: 10.1080/17494061003694162
Stigmergic epistemology, stigmergic cognition
Marsh and Onof (2008-03)
Cognitive Systems Research
DOI: 10.1016/j.cogsys.2007.06.009
Thelonious Monk's Pianism
Givan (2009)
Journal of Musicology
DOI: 10.1525/jm.2009.26.3.404
Stereo types: The operation of sound in the production of racial identity
Hight (2003)
Leonardo: Journal of the International Society for the Arts, Sciences and Technology
The Class and Colour of Tone: An Essay on the Social History of Vocal Timbre
Olwage (2004)
Ethnomusicology Forum
The Many Faces of Improvisation: The Arab Taqāsīm as a Musical Symbol
Racy (2000)
DOI: 10.2307/852534