PhD Reading

Below is a list of the books or journal articles I've read or glanced at so far. You might find something interesting! The Zotero Web API made this possible, and it's a really handy referencing solution too.

methods/concepts

Performance as Philosophy: Responding to the Problem of ‘Application’: Cull (2012-03); Theatre Research International; DOI: 10.1017/S0307883311000733
Searching for the Center of a Sound: Bill Dixon's "Webern", the Unaccompanied Solo, and Compositional Ontology in Post‐Songform Jazz: Dewar (2010); Jazz Perspectives; DOI: 10.1080/17494061003694162

what is a vibraphone?

Self-organised music: Blackwell and Young (2004); Organised Sound; DOI: 10.1017/S1355771804000214
Good vibes: a life in jazz: Gibbs and Ginell (2003); ISBN: 978-0-8108-4586-2
Extended performance techniques and compositional style in the solo concert vibraphone music of Christopher Deane: Smith (2008-08)
An introductory guide to vibraphone: Four idiomatic practices and a survey of pedagogical material and solo literature: Cheesman (2012)
Early percussion instruments: from the Middle Ages to the Baroque: Blades and Montagu (1977); ISBN: 978-0-19-323176-4
Elder Paisos of Mount Athos: Hieromonk Isaac (2012); ISBN: 978-960-89764-3-6

what is a mouth?

On Vernacular Emblems and Signification in David N. Baker's "The Black Experience": Maxile Jr. (2014); American Music; DOI: 10.5406/americanmusic.32.2.0223
Phonetics, phonology and social meaning: Eckert and Labov (); Journal of Sociolinguistics; DOI: 10.1111/josl.12244
The Soviet Russian Concepts of "Intonazia" and "Musical Imagery": Brown (1974); The Musical Quarterly
Out of notes: Signification, interpretation, and the problem of Miles Davis: Walser (1993); The Musical Quarterly
Ways of saying: ways of meaning: selected papers of Ruqaiya Hasan: Hasan (1996); ISBN: 978-0-304-33738-5
Music and the sociological gaze: art worlds and cultural production: Martin (2006); ISBN: 978-0-7190-7217-8 978-0-7190-7216-1
Anti-languages: Halliday (1976); American Anthropologist
Music in Our Ears: The Biological Bases of Musical Timbre Perception: Patil et al. (2012-11-01); PLoS Computational Biology; DOI: 10.1371/journal.pcbi.1002759
Searching for the Center of a Sound: Bill Dixon's "Webern", the Unaccompanied Solo, and Compositional Ontology in Post‐Songform Jazz: Dewar (2010); Jazz Perspectives; DOI: 10.1080/17494061003694162
Stigmergic epistemology, stigmergic cognition: Marsh and Onof (2008-03); Cognitive Systems Research; DOI: 10.1016/j.cogsys.2007.06.009
Thelonious Monk's Pianism: Givan (2009); Journal of Musicology; DOI: 10.1525/jm.2009.26.3.404
Stereo types: The operation of sound in the production of racial identity: Hight (2003); Leonardo: Journal of the International Society for the Arts, Sciences and Technology
The Class and Colour of Tone: An Essay on the Social History of Vocal Timbre: Olwage (2004); Ethnomusicology Forum
The Many Faces of Improvisation: The Arab Taqāsīm as a Musical Symbol: Racy (2000); Ethnomusicology; DOI: 10.2307/852534